StudioPersia and Viktor Erlandsson Studio present
Sway Objects.
Sway Objects.
A design collaboration crafted by Holmquistsign.
Rooted in the stillness of a forest tarn,
the first collection interprets botanical structures
through strict silhouettes and industrial precision. It
moves between the natural and the constructed, the
reflective and the restrained.
Rooted in the stillness of a forest tarn,
the first collection interprets botanical structures
through strict silhouettes and industrial precision. It
moves between the natural and the constructed, the
reflective and the restrained.
Sway Objects is the result of an ongoing dialogue
between Viktor Erlandsson and Christian Persia – two
designers with shared roots in architecture, material
sensibility, and a fascination for strong, expressive form.
With a mutual interest in the tension between precision
and softness, their collaboration explores objects that
assert themselves quietly – sculptural, functional, and
grounded in intent.
between Viktor Erlandsson and Christian Persia – two
designers with shared roots in architecture, material
sensibility, and a fascination for strong, expressive form.
With a mutual interest in the tension between precision
and softness, their collaboration explores objects that
assert themselves quietly – sculptural, functional, and
grounded in intent.
The new series introduces three related typologies –
Straw, Drift, and Brim – united in expression, but each
defined by its own spatial logic and expressive role.
Straw reaches upward in slender lines, delicate yet
poised. Drift offers a quiet place for rest – grounded,
gently unbalanced, and made for solitary rituals. Brim,
low and open, defines a surface not by its volume but by the stillness it holds.
Together, they form a composition of vertical
rhythm, floating gestures and captured light – a quiet
choreography of form and atmosphere.
Straw, Drift, and Brim – united in expression, but each
defined by its own spatial logic and expressive role.
Straw reaches upward in slender lines, delicate yet
poised. Drift offers a quiet place for rest – grounded,
gently unbalanced, and made for solitary rituals. Brim,
low and open, defines a surface not by its volume but by the stillness it holds.
Together, they form a composition of vertical
rhythm, floating gestures and captured light – a quiet
choreography of form and atmosphere.
